"I believe my innovation lies in immersion. It's like diving on a breath hold, and the breath-hold record is directly proportional to the progress you make. How you arrive at knowledge is not something you can choose. I don't dive for sport; I dive out of natural instinct, out of vocation. But you cannot feed solely on yourself; otherwise, sooner or later, you'll starve. The food is outside!"
This is what Francesco Librizzi, Architect and Art Director of Fontana Arte, told me during our first meeting. And how can you blame him? After all, everything we need is right there, just outside our doorstep; all it takes is a little push to get out and embark on an adventure. A backpack to fill with rare relics, a head partly on our shoulders and partly in the clouds to attract precious memories and wise notions, and a heart, skilled seeker of feelings and deep connections. It's not easy to put into practice, of course; I’m the first skeptic who has doubted it since a young age, when my mother would repeat to me, "Sow, then reap." And the encounters, those that change your life or career, can only happen out there, beyond the "barriers of communication", to quote Alexis Taylor, meetings that helped him build a web of coincidences. That’s exactly how Alexis and Lawrence—musician and founder of the English indie pop group Mozart Estate—met, solidifying their friendship right here at LaunchLeft! An encounter purely by chance, as they say, at a geeks' night, friends of friends, mutual acquaintances, because as we Italians say so well—but unfortunately often don't practice enough—the world is just a small village! "Dark and joyful", with this oxymoron, Rain defines Alexis's musical personality after a day spent at home with his tracks as loud background music, a true deep dive into the Hot Chip world! I approve and endorse this combination of traits. It's fascinating to hear how, step by step, without ever fearing to ask for help and hesitating to offer it, and following his guiding stars, Alexis built his project from scratch and his career took shape.
To conclude, three honorable mentions are a must, as Alexis, Lawrence and Rain remind us during their chat. First, the team of professionals—the people we don't see in the industry, those who work hard behind the scenes and often don't receive the credit they deserve. Remember, a chain is only as strong as its weakest ring! Their role may not seem crucial to the public, but it is decisive; their actions may not seem indispensable, but they are lifesaving, as Gandhi teaches, "Whatever you do will be insignificant, but it is very important that you do it."
Second, to quote Rolling Stone Italy, which in 2023 dedicated an article to Lawrence and Mozart Estate, "How much we love the magnificent losers of '80s rock!" Let’s, for once, tell fleeting careers, rampant success, and greedy popularity to go to hell. There is brilliance in what is more hidden; there lies the elusive, the original, not as "new" or "cool," but as authentic.
Last but not least, sometimes, even if we are already grown and cultured, we need to remember to see and listen to the world like children, unconscious and instinctive, to capture not only knowledge but sensations. Often, the magic is found in the most bizarre places, or better yet, sometimes when it doesn’t manifest, you have to create it yourself. Alexis recalls at LaunchLeft his first meeting with Peter Gabriel, the album "Us" from 1992, and the concert he attended with his father when he was still a young teenager, singing together "Come Talk to Me." Years later, he wrote "Ready for the Floor" for Hot Chip, inspired precisely by that song, but not by the literal lyrics, but by the soul it conveyed, and he says, "It wasn't really written in order to reference that, but I just had it inside of me as a song I loved." Just like when I was a kid who didn’t know English and listened to American music with my headphones walking down the street, now I’m listening to "Signed, Sealed, Delivered, I’m Yours" by Stevie Wonder with my eyes closed, pretending not to know the words. Stevie is telling me something completely different; he’s saying what I want to hear, he’s singing for me!
EP136, ROONEY MARA - Launches Suay Sew Shop // Soundtrack Nirvana, All Apologies
To the strains of "All Apologies" by Nirvana, as "I wish I was like you, easily amused" rang out, I realized I had nailed the perfect background track for this launch. It wasn’t just because Rooney frequently cites Nirvana as one of her favorite bands, mentioning them in the playlists of her most iconic characters. It was also due to the myriad layers of meaning shared between one of the Seattle grunge band’s emblematic tracks and Rooney’s personality. Her voice, steady and resolute, tells us one truth, while her restless, expressive hands seem to want to tell us another. She's a tough type, a fighter who knows what it means to be an underdog—an "Anima Fragile" (fragile soul), to borrow a phrase from legendary Italian songwriter Vasco Rossi. A mountain flower covered in snow, melted only by the radiant, constant rays of the sun. In a candid conversation between women, Rain Phoenix touches the right chords, unveiling Rooney's timeless wisdom and experience to the audience.
Rooney is strong, determined, and highly demanding. Perhaps she is her own harshest critic. She possesses the righteousness of the just and the innate maternal aura of someone who understands that being a mother means letting go of selfishness, being aware that from that moment on, there's a more important project to care for—an adventure that, as she herself notes in a brief yet poignant exchange with Rain, "sounds like a cliché, but maybe it's a cliché because it's true." Her successful journey (and by success, I mean the ability to do what one truly wants to do) is built with methodical dedication over the years. This is evident in her careful selection of roles—"if I don’t feel they’re mine, I won’t play them"—which has often led her to wait patiently for the right project at the right time. From her challenges with Valentine's Production to her activist initiatives like Suay Sew Shop by Lindsay Rose Medoff, launched in this very episode. Reflecting on my conversation with Hans Ulrich Obrist during my recent visit to Serpentine, as we walked together through Hyde Park: I began, "I always find it immensely enriching to interview artists when they have no projects to promote, in those dead moments, when they are in the limbo of nothingness, on pause." He concluded, "Of course, because only then do you end up talking about what really matters—the essentials of human existence.”
EP124, BEN HARPER - Portrait // Soundtrack Deep Dish, Chocolate City
I remember summer nights, my father, my sister and I in our old convertible Spider, driving home carefree. The wind caressing our faces, my eyes closed as I embraced the moment from the back seat, "Boa Sorte" with Vanessa Da Mata playing at full blast, the silence and the magnificence of the rolling hills of our homeland. My father used to say that Ben Harper was the perfect blend of Dylan and Bob Marley and that we should always be mindful of what we wish for and never forget what we hold, "when you have everything, you have everything to lose” his words playing back in my head. His symbol - that red and orange circle on a blue T-shirt, still hangs in our family closet. Reminding me that making music is powerful. It’s a life-giving source of energy, sheer oxygen for those who need it.
True inclusion means coming to terms with those who might challenge your beliefs, who might obstruct your vision of the world and still carrying on. It means making space for those who might not want the same future as you, sharing common ground with your adversary. We are all singers faced with the unknown. Within the darkness of the crowd stand our most loyal supporters, always rigorously present, the genre enthusiasts, the curious onlookers, the bored and disinterested companions, and there are also those who may carry scorn, hatred and anger in their hearts whose intention is to simply disrupt. Nonetheless, as the saying goes - “the show must go on” and the music must continue; therein lies the challenge. We must persist. Music, after all - is a source of healing, it’s simply necessary to keep playing, as it’s necessary to go on living and expanding. After all, if you're in a room and no one contradicts you, it must mean you're either alone or living in some kind of fictional reality. And neither one is a reality in sync with our true human nature.